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Peter Murton was then hired in Barry's place. Before filming was to begin, Christopher Reeve was initially unavailable as he had accepted to star in the film Somewhere in Time , five months into the production shutdown by which his contract to shoot both Superman films back-to-back had expired. Reeve had claimed that twelve hours after his casting was announced, he received a letter from the producers to be available for Superman II on July 16, which was only five days after he was to finish filming Somewhere in Time.
During the renegotiation of his contract, Reeve agreed to the financial terms, but demanded more artistic control. The remaining sequences left to be shot included the scenes of the super-villains in Idaho and the battle in Metropolis. With Brando cut from the film, the decision was made to re-shoot the scene in which Clark confesses his love for Lois and surrender his powers.
Another scene, as written in the film's original shooting script and shot, was to have Jor-El restore his superpowers by reaching out to him in a tableau reminiscent of the painting The Creation of Adam , but the younger Salkind felt it was over-the-top. Throughout filming, Lester caused tensions as he opted to retain his directorial technique for his three-camera setup , which frustrated the actors as they did not know from where they were being filmed for their close-ups.
Due to budgetary reasons and actors being unavailable, key scenes filmed by Donner were added to the final film. Since the Lester footage was shot two years later, continuity errors are present in the physique and styling of stars Margot Kidder and Christopher Reeve. In Donner's footage, Reeve appears less bulked as he was still gaining muscle for the part. Kidder also has dramatic changes throughout; in the montage of Lester-Donner material, shot inside the Daily Planet and the Fortress of Solitude near the movie's conclusion, her hairstyle, hair color, and even make-up are all inconsistent.
Kidder's physical appearance in the Lester footage is noticeably different; during the scenes shot for Donner she appears slender, whereas in the Lester footage she looks thinner. Before the film's release, Warner Bros. Although Lester had earlier thought he would not be credited, he approached Donner to see if he wished to be credited as co-director, to which Donner replied, "I don't share credit". When Salkind left the projection room, Williams and Lester fell into an argument, and when Salkind returned, Williams told him that he "could not get along with this man".
To take his place, Richard Lester's frequent composer Ken Thorne was selected to score the sequel. The music was performed at the CTS Studios, Wembley, London in the spring of by a studio session orchestra rather than the London Symphony Orchestra , who had played for the first film.
The soundtrack was released on Warner Bros. Records , with one edition featuring laser-etched "S" designs repeated five times on each side. A complete score was released in , as part of Superman: The Music , an 8-CD box set released by Film Score Monthly, with a limited edition of 6, units. On October 30, , as part of Superman's 80th anniversary, La-La Land Records released Thorne's expanded orchestral scores for the second and third film into the expanded archival collection. During a preview of the finished film, Warner Bros.
The film premiered in Australia on Thursday, December 4, , and opened at the weekend in South Africa, followed by France on December 10 with Christmastime releases in Italy and Spain. They had also enlisted their publishing division to produce calendars, pop-up books, a film novelization, a behind-the-scenes book, and a children's dictionary. Roger Ebert of the Chicago Sun-Times , who gave the original film very high acclaim,  also praised Superman II , giving it four out of four stars.
He wrote in his review, "This movie's most intriguing insight is that Superman's disguise as Clark Kent isn't a matter of looks as much as of mental attitude: Clark is disguised not by his glasses but by his ordinariness. Beneath his meek exterior, of course, is concealed a superhero. And, the movie subtly hints, isn't that the case with us all?
There are, of course, enough effects to fill a dozen Saturday matinee serials but they aren't necessarily the film's deliciousness. It's funny, it's full of tricks and it manages to be royally entertaining, which is really all it aims for. Christopher John reviewed Superman II in Ares Magazine 9 and commented that " Superman II falls into the category of sequels containing such films as Jaws II — highly absorbing and entertaining, yet better films only if you never saw the original. As with the first film, Alexander and Ilya Salkind prepared a version for worldwide television release that re-inserted unused footage in this case 24 minutes into the film.
It was through this extended version that viewers first caught a glimpse into the Superman II that might have happened had Richard Donner remained as director. In fact, a majority of the added footage was shot by Donner before Richard Lester became director. Subsequent ABC airings of the longer version would be cut further for more advertising time. The full minute extended cut was shown internationally, including parts of Canada. The added footage offers an alternative ending to the film.
In the theatrical cut, it is implied that Superman has killed the three Kryptonian villains going against the strict code that Superman does not kill. In the extended ending, a U. Warner Bros. During the production of Superman Returns , Warner Bros. In order to make Donner's vision of Superman II feel less incomplete, finished scenes by Lester that Donner was unable to shoot were incorporated into the film as well as the screen tests by Reeve and Kidder for one pivotal scene.
The film also restores several cut scenes including Marlon Brando as Jor-El, an alternate prologue and opening sequence at the Daily Planet that omits the Eiffel Tower opening from the original, as well as the original scripted and filmed ending for Superman II featuring Superman reversing time before it was cut and placed at the end of the first film.
From Wikipedia, the free encyclopedia. Superman by Jerry Siegel Joe Shuster. Dovemead Ltd. International Film Production. United States. Release date. Running time. Main article: Superman music. Lester took over directing duties and, as he could not be credited according to the Directors Guild of America unless he shot 40 percent of the film, re-shot most of the film.
The Sex Column and Other Misprints. Wildside Press. The Guardian. April 9, American Film Institute. Retrieved December 21, The Numbers. Retrieved December 28, British Film Institute. Archived from the original on January 20, Retrieved July 10, Turner Classic Movies. The New York Times. Archived from the original on February 1, Retrieved May 15, Retrieved October 8, Los Angeles Times.
July 13, Retrieved October 8, — via Newspapers. Warner Home Video. Archived from the original on June 23, Superman Homepage. Imagine Publishing. Philadelphia Daily News. The Hartford Courant. La-La Land Records. Retrieved October 21, Takeoff, 1, Sites, June".
December 17, Randall August 31, University of Dayton. Retrieved March 11, March 11, Archived from the original on June 25, Center for Tobacco Control Research and Education. Archived from the original PDF on March 9, October 18, Archived from the original on December 23, Ebert Digital LLC. December 15, Retrieved October 9, Chicago Tribune.
Section 3, p. Section 6, p. Part VI, p. New York. Ares Magazine. Simulations Publications, Inc. November 24, Archived from the original on April 17, Retrieved December 19, Archived from the original on December 24, Rotten Tomatoes.
Archived from the original on June 9, For 'Superman' II". Daily Variety. June 22, October 27, Box Office Mojo. Retrieved October 29, — via Gainesville Sun. Retrieved May 9, Entertainment Weekly. Retrieved October 5, Home Video. Back Issue! TwoMorrows Publishing 61 : 11— February 25, Season 2.
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